Being a guitarist, I give my piano playing musician friends a hard time. I accuse them of having no soul since they can't get vibrato, sustain notes without the aid of machinery, and can't bend notes. In other words, they can't do all the cool stuff that guitarists do (keyboards are another story). But to say that they don't emote is a bold statement. Piano covers a lot of ground, even if you can't take it to a campfire (still got them beat!). Just put on most amazing soundtracks and you can feel piano wire delicately gluing the mood to the scene. I remember being a young guitarist and sitting in a piano practice room with a big hollowbody guitar. I'd rest the end of the neck somewhere up on the piano, hold down the sustain key, and play really nice add 9 sus 11 chords and listen to the overtones that formed like a cloud, barely dissipating. That could be my first dive into real, live ambient, and those moments have defined a valuable moments in my life.
TRACK LISTING
“12:18” by Global Communication from 76:14 (Dedicated/BMG Records/Arista/Legacy/SME)
Released June 1994 (Start Time: 00:00)
“Loop 6 (Part 7)” by Chris Meloche from Recurring Dreams Of The Urban Myth (Fax +49-69/450464), Released October 31, 1994 (Start Time: 12:00)
“1/1 (Excerpt)” by Brian Eno from Ambient 1 – Music For Airports (Caroline Astralwerks), Released October 18, 2004 (Start Time: 24:57)
“Dlp 1.1 (Excerpt)” by William Basinski from The Disintegration Loops 1 (2062), Released 2002 (Start Time: 32:22)
“03/DTD/05:56” by Terre Thaemlitz from The Wiretapper 02 (Unknown), Released Unknown (Start Time: 39:59)
“Belle E'Poque 3012” by Jonn Serrie from Thousand Star (New World Music), Released January 26, 2010 (Start Time: 45:33)
“1863” by The Glimmer Room from A Diary Of Occurrences (A-Frame Media), Released January 12, 2010 (Start Time: 53:36)
“6 Or 7” by Rapoon from Easterly 6 Or 7 (Soleilmoon/Staalplaat), Released November 18, 1997 (Start Time: 59:53)
